Un enfoque epistémico sobre el pelo como elemento interseccional de significación

  1. Anta Félez, José-Luis 1
  2. Cueto-Jiménez, Ana María 1
  3. Sánchez-Miranda, María del Carmen 1
  1. 1 Universidad de Jaén
    info

    Universidad de Jaén

    Jaén, España

    ROR https://ror.org/0122p5f64

Revista:
Tercio creciente

ISSN: 2340-9096

Año de publicación: 2024

Título del ejemplar: Monográfico Extraordinario IX, "Es mi pelo donde otra academia es posible"

Número: 9

Páginas: 75-97

Tipo: Artículo

DOI: 10.17561/RTC..8803 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Otras publicaciones en: Tercio creciente

Resumen

In this text, halfway between the theoretical and the readings from the lens of popular ethnography (film, social movements, poetry, literature, and commercials), we traverse three stations: hair as a countercultural history of Black women, where an obvious juxtaposition exists between norms, institutions, and modes of presentation; as a linguistics, where we observe hair as a hermeneutic, where everything is pure metaphor and mimesis; and lastly, as performative, where a struggle is established involving truth, spaces, and not only what can be said but also shown and touched, through new languages and identities of power via hair. Yet, the text carries another layer, less obvious: the play with the ideas of how we deal with modernity-coloniality, which tells us what is worth investigating, thinking about, and publicizing. We could do nothing if we do not understand that the machinery of racism, discrimination, homophobia, poverty, and belief in white supremacy involve as many elements as there are hairs on our heads. We shout that from another academy, everything is possible: championed by ALMARGEN, a research group that delves into the symbiosis of understanding and analyzing hair beyond a mere aesthetic requirement that sets trends or influences. Attracting hegemonic nuances that compel us to delve deeper into the positions of individuals socially, politically, and epistemologically in diverse contexts that make us either choose or are compelled to position ourselves in order to perpetuate imposed standards about how we should appear and perceive our hair. Drawing upon an "on the margin" structure of the structural, which we elucidate in the present work.

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