Dos formas de representar la misma realidadTrazados y geometría descriptiva; su representación en el tiempo.

  1. Antonio Ortega Suca 1
  2. José Ignacio Rojas Sola 1
  3. Amelia Ortega Montoro 1
  4. Antonio Ortega Montoro 1
  1. 1 Departamento de Ingeniería Gráfica, Diseño y Proyectos. Escuela Politécnica Superior. Universidad de Jaén, España.
Book:
Actas del Congreso Internacional de Ingeniería Gráfica XVI

Publisher: INGEGRAF

ISBN: 84-95475-39-1

Year of publication: 2004

Congress: Congreso Internacional de Ingeniería Gráfica (INGEGRAF) = International Congress INGEGRAF (16. 2004. Zaragoza / Huesca)

Type: Conference paper

Abstract

In the didactics of the Technical Graphic Expression imparted so much in the previous studies to the university students as well as in the initial courses of the Technical Schools, in those that it is carried out in way excessively condensed in the time and with a demand an exhaustive point, an information is usually transmitted that is centered fundamentally in the exhibition of the geometric layouts of the Geometry Euclidean it stops next to deploy the denominated representation systems belonging to the Descriptive Geometry thoroughly concluding with the topics it has more than enough Normalization, thing that comprehensibly is necessary and certainly fundamental. But it forgets to treat the HISTORICAL EVOLUTION OF THE LAYOUTS AND GRAPHIC SYSTEMS OF REPRESENTATION, fundamental topic for the understanding with depth of the procedures of Graphic Expression. As contribution to the outlined problem and at the same time as homage to the declaration of the cities of Úbeda and Baeza like world heritage, cities where it was developed from the XVI century a Renaissance architecture, in which the stereotomy played a fundamental part with the importance that has the graphic representation for such a constructive system, leaving us in this respect magnificent treaties although of not very easy reading like it is the "Treaty of Architecture of Alonso of Vandelvira", we bring a comparative study consequently between the layouts of Alonso of Vandelvira and the descriptive geometry of Gaspard Monge.