Narrativas de la desmitificación y la distopía gótica americana en Rob Zombiela casa de los 1000 cadáveres (2002) y Los renegados del diablo (2005)

  1. Laura Blázquez-Cruz 1
  1. 1 Universidad de Jaén
    info

    Universidad de Jaén

    Jaén, España

    ROR https://ror.org/0122p5f64

Book:
Revisiones posmodernas del gótico en la literatura y las artes visuales
  1. José-María Mesa-Villar (ed. lit.)
  2. Ana González-Rivas Fernández (ed. lit.)
  3. Antonio-José Miralles-Pérez (ed. lit.)

Publisher: Ediciones Universidad de Salamanca ; Universidad de Salamanca

ISBN: 978-84-1311-645-7

Year of publication: 2022

Pages: 171-185

Type: Book chapter

DOI: 10.14201/0AQ0322171185 DIALNET GOOGLE SCHOLAR lock_openOpen access editor

Abstract

The present study aims to analyze some of the hallmarksof American Gothic in two films by Rob Zombie set within the social andpsychological context of the Deep America of the 70s: The House of the 1000Corpses (2003) and The Devil’s Rejects (2005). Our approach will be based on astudy of the marginal characters as portrayed in these productions, focusingon the relationship between the places they inhabit and how they control their actions of anomic nature, as well as their corporeality of a marginal nature withrespect to other individuals integrated as normal into the conventional society

Data source: Dialnet