La Musealización del Arte y la Historia: estrategias discursivas y de comunicación, inclusión, transformación digital y participación en museos

Referencias bibliográficas

• Álvarez-Rodríguez, D., Marfil-Carmona, R., y Báez-García, C. (2019). Investigación de impacto sobre la formación en mediación y educación en museos: análisis de la Web of Science. Revista Electrónica Interuniversitaria de Formación del Profesorado, 22(1), 121-144. https://doi.org/10.6018/reifop.22.1.357731
• Assanova, D., y Zhanguttin, B. (2020). Women’s museums in kazakhstan: Prospects in the new digital age. Museum International, 72(1-2), 140-151. http://dx.doi.org/10.1080/13500775.2020.1743063
• Ayala-Aizpuru, I., Cuenca-Amigo, M., y Cuenca-Amigo, J. (2019). Principales retos de los museos de arte en España. Consideraciones desde la museología crítica y el desarrollo de audiencias. Aposta. Revista de Ciencias Sociales, 80, 61-81. http://apostadigital.com/revistav3/hemeroteca/iayala.pdf
• Baeza Ruiz, A. (2020). The rhetoric of looking: A case study about the exhibition of cleaned pictures of 1947. International Journal of Heritage Studies, 26(3), 237-252. https://doi.org/10.1080/13527258.2019.1620828
• Barnes, P., y McPherson, G. (2019). Co-creating, co-producing and connecting: Museum practice today. Curator: The Museum Journal, 62(2), 257-267. https://doi.org/10.1111/cura.12309
• Barranha, H. (2018). Derivative narratives: The multiple lives of a masterpiece on the internet. Museum International, 70(1-2), 22-33. https://doi.org/10.1111/muse.12190
• Bazeley, P. (2013). Qualitative data analysis: practical strategies. SAGE.
• Bettany-Saltikov, J. (2012). How to do a Systematic Literature Review in Nursing: a step-by-step guide. McGraw-Hill Education.
• Biedermann, B. (2017). ‘Virtual museums’ as digital collection complexes. A museological perspective using the example of hansgross-kriminalmuseum. Museum Management and Curatorship, 32(3), 281-297. https://doi.org/10.1080/09647775.2017.1322916
• Bosold, B., Scott, E., y Chantraine, R. (2020). Queer tactics, handwritten stories: Disrupting the field of museum practices. Museum International, 72(3-4), 212-225. https://doi.org/10.1080/13500775.2020.1873525
• Brow, K., y Buckner, J. (2020). The “Rich gay”? small museums & funding “Difficult” history. Curator: The Museum Journal, 63(4), 605- 610. https://doi.org/10.1111/cura.12388
• Chipangura, N. (2020). Co-curation and new museology in reorganizing the beit gallery at the mutare museum, eastern zimbabwe. Curator: The Museum Journal, 63(3), 431-446. https://doi.org/10.1111/cura.12375
• Christidou, D., y Pierroux, P. (2019). Art, touch and meaning making: An analysis of multisensory interpretation in the museum. Museum Management and Curatorship, 34(1), 96-115. https://doi.org/10.1080/09647775.2018.1516561
• Coghlan, R. (2018). ‘My voice counts because i’m handsome.’ democratising the museum: The power of museum participation. International Journal of Heritage Studies, 24(7), 795- 809. https://doi.org/10.1080/13527258.2017.1320772
• Croizet, F. (2020). LGBTQI+ representation in the museum ecosystem of Buenos Aires. Museum International, 72(3-4), 94-103. https://doi.org/10.1080/13500775.2020.1873499
• Cuesta Davignon, L. I. (2020). Gender perspective and museums: Gender as a tool in the interpretation of collections. Museum International, 72(1-2), 80-91. https://doi.org/10.1080/13500775.2020.1743059
• Daybell, J., Heyam, K., Norrhem, S., y Severinsson, E. (2020). Gendering objects at the V&A and vasa museums. Museum International, 72(1-2), 106-117. https://doi.org/10.1080/13500775.2020.1779465
• Debary, O., y Roustan, M. (2017). A journey to the musée du quai branly: The anthropology of a visit. Museum Anthropology, 40(1), 4- 17. https://doi.org/10.1111/muan.12127
• Desvallées, A. y Mairesse, F. (2010). Conceptos claves de museología. Armand Colin e ICOM. https://icom.museum/wpcontent/uploads/2018/07/Museologie_Espagnol_BD.pdf
• Diamantopoulou, S., y Christidou, D. (2019). Museum encounters: A choreography of visitors’ bodies in interaction. Museum Management and Curatorship, 34(4), 344-361.
• https://doi.org/10.1080/09647775.2019.1585279
• Djabarouti, J. (2020). Stories of feelings and things: Intangible heritage from within the built heritage paradigm in the UK. International Journal of Heritage Studies, 27(4), 1-16. https://doi.org/10.1080/13527258.2020.1798271
• Eardley, A. F., Dobbin, C., Neves, J., y Ride, P. (2018). Hands-on, shoes-off: Multisensory tools enhance family engagement within an art museum. Visitor Studies, 21(1), 79-97. https://doi.org/10.1080/10645578.2018.1503873
• Edmundson, A. (2017). Beyond bricks and mortar: Reframing museum encounters. International Journal of Heritage Studies, 23(9), 891-894. https://doi.org/.1080/13527258.2017.1347578
• Faba-Zuleta, P., y Aedo-Gajardo, Á. (2020). The task of the museum in shaping the aesthetic-political field of memory in postpinochet chile. Museum Anthropology, 43(2), 94-110. https://doi.org/10.1111/muan.12226
• Geoghegan, H., McIlvenna, K., y van der Vaart, M. (2017). Developing local narratives for objects in national collections: Lessons learned from the “Number please? working with the enfield exchange” project. Curator: The Museum Journal, 60(2), 217-233. https://doi.org/10.1111/cura.12201
• Heitman, C. C. (2017). The Creation of Gender Bias in Museum Collections: Recontextualizing archaeological and archival collections from chaco canyon, new mexico. Museum Anthropology, 40(2), 128-142. https://doi.org/10.1111/muan.12139
• Higashi, J. (2019). The politics of history in memorial museums. Museum International, 71(1-2), 96-103. https://doi.org/10.1080/13500775.2019.1638034
• Høffding, S., Rung, M., y Roald, T. (2020). Participation and receptivity in the art museum: A phenomenological exposition. Curator: The Museum Journal, 63(1), 69-81. https://doi.org/10.1111/cura.12344
• Howell, D. R. (2015). Telling the story of welsh Art—But is anyone listening? Curator: The Museum Journal, 58(4), 423-433. https://doi.org/10.1111/cura.12138
• Iáñez-Ortega, M. (2014). Musealización del patrimonio cinematográfico: los museos de cine en M. L. Bellido Gant, Arte y museos del siglo XXI: entre los nuevos ámbitos y las inserciones tecnológicas (pp. 37-52). Editorial UOC.
• ICOM. (2021). El Museo: Informe sobre las opiniones de los miembros del ICOM para una nueva definición de museo. https://icom.museum/es/recursos/normas-y-directrices/definiciondel-museo/
• Isselhardt, T., y Cross, L. (2020). You love them, but you don’t know them: Recognizing and welcoming lived experiences. Curator: The Museum Journal, 63(4), 571-578. https://doi.org/10.1111/cura.12390
• Kinsley, R. P. (2016). Inclusion in museums: A matter of social justice. Museum Management and Curatorship, 31(5), 474-490. https://doi.org/10.1080/09647775.2016.1211960
• Kletchka, D. C. (2021). The epistemology of the basement: A queer theoretical reading of the institutional positionality of art museum educators. Museum Management and Curatorship, 36(2), 125-135. https://doi.org/10.1080/09647775.2021.1894595
• Leitch, C., Youngs, R., Gavigan, A., Lesperance, M., Burns, W. J., Cohen-Stratyner, B., y Hansen, J. (2016). LGBTQ welcoming guidelines for museums: Developing a resource for the museum field. Museums & Social Issues, 11(2), 138-146. https://doi.org/10.1080/15596893.2016.1217460
• Leonardi, F. (2021). Curating the context: Re-enacting and reconstructing exhibitions as ways of studying the past. Museum Management and Curatorship, 36(2), 172-188. https://doi.org/10.1080/09647775.2020.1803118
• Levin, A. K. (2020). Crossing over: Museums as spaces of violence. Museum International, 72(3-4), 28-41. https://doi.org/10.1080/13500775.2020.1873492
• Madsen, K. M., y Jensen, J. F. (2021). Learning through exploration at museum exhibitions. Museum Management and Curatorship, 36(2), 154-171. https://doi.org/10.1080/09647775.2020.1803115
• Marín-Cepeda, S. (2021). El Museo en TikTok. En M. PallarésPiquer, J. Gil-Quintana y A. Santisteban-Espejo, Docencia, Ciencia y Humanidades: hacia una enseñanza integral en la universidad del siglo XXI (pp. 102-112). Dykinson, S.L.
• Martín-Cáceres, M. J., y Cuenca-López, J. M. (2016). Communicating heritage in museums: Outlook, strategies and challenges through a SWOT analysis. Museum Management and Curatorship, 31(3), 299-316. https://doi.org/10.1080/09647775.2016.1173576
• Mason, R., y Sayner, J. (2019). Bringing museal silence into focus: Eight ways of thinking about silence in museums. International Journal of Heritage Studies, 25(1), 5-20. https://doi.org/10.1080/13527258.2017.1413678
• Mehzoud, S. (2019). Scenographic exhibitions as spaces of encounter. Curator: The Museum Journal, 62(4), 629-648. https://doi.org/10.1111/cura.12340
• Miles, M. B., Huberman, M. A, y Saldaña, J. (2014). Drawing and Verying Conclusions. Qualitative Data Analysis: A Methods Sourcebook. SAGE.
• Mikula, M. (2015). Vernacular museum: Communal bonding and ritual memory transfer among displaced communities. International Journal of Heritage Studies, 21(8), 757-772. https://doi.org/10.1080/13527258.2015.1020961
• Morgan, J., y Macdonald, S. (2020). De-growing museum collections for new heritage futures. International Journal of Heritage Studies, 26(1), 56-70. https://doi.org/10.1080/13527258.2018.1530289
• Myrczik, E. P. (2020). Cultivating digital mediation: The implementation of publicly funded digital museum initiatives in denmark. International Journal of Cultural Policy, 26(2), 239-254. https://doi.org/10.1080/10286632.2018.1495714
• Nhung, D. T. (2020). Reflections on the making of the unstraight exhibitions. Museum International, 72(3-4), 42-53. https://doi.org/10.1080/13500775.2020.1873495
• Nielsen, J. K. (2017). Museum communication and storytelling: Articulating understandings within the museum structure. Museum Management and Curatorship, 32(5), 440-455. https://doi.org/10.1080/09647775.2017.1284019
• Nowacki, M., y Kruczek, Z. (2021). Experience marketing at polish museums and visitor attractions: The co-creation of visitor experiences, emotions and satisfaction. Museum Management and Curatorship, 36(1), 62-81. https://doi.org/10.1080/09647775.2020.1730228
• Parra-Forero, M. A. (2020). Museo Q: Museology in motion. Museum International, 72(3-4), 142-153. https://doi.org/10.1080/13500775.2021.1873503
• Pauls, H., y Walby, K. (2020). Military, meaning, and tactical myopia: Representations of weapons at the royal canadian artillery museum. International Journal of Heritage Studies, 26(11), 1109-1122. https://doi.org/10.1080/13527258.2020.1752774
• Praët, M. V. (2019). The modernity of the museum: Sharing and creating knowledge through confrontation with the material evidences of the past and the present. Museum International, 71(1-2), 38-47. https://doi.org/10.1080/13500775.2019.1638025
• Prescha, L. (2021). Myth of neutrality and non-performativity of antiracism. Museum Management and Curatorship, 36(2), 109-124. https://doi.org/10.1080/09647775.2021.1891559
• Reinaudo, F. (2020). A strange queer body: The museum of sexual diversity in são paulo, brazil. Museum International, 72(3-4), 16-27. https://doi.org/10.1080/13500775.2020.1873490
• Rivero Moreno, L. D. (2019). Museums and digital era: Preserving art through databases. Collection and Curation, 38(4), 89-93. https://doi.org/10.1108/CC-02-2018-0002
• Robinson, H. (2020). Curating good participants? Audiences, democracy and authority in the contemporary museum. Museum Management and Curatorship, 35(5), 470-487.
• https://doi.org/10.1080/09647775.2020.1803117
• Rogers, A., y Rock, J. (2017). Testing a mobile platform for community co-created exhibitions. Curator: The Museum Journal, 60(3), 335-349. https://doi.org/10.1111/cura.12194
• Rowles, B. (2020). LGBTIQ+-themed education at the kunsthistorisches museum in vienna – guided tours with a drag queen. Journal of Museum Education, 45(4), 364-374. https://doi.org/10.1080/10598650.2020.1814985
• Selwood, S., y McEnaney, L. (2020). Exhibition reviews. Hogarth: Place and progress, sir john soane's museum, London, 9 october 2019 – 5 january 2020. Museum Worlds: Advances in Research, 8, 216-228. https://doi.org/10.3167/armw.2020.080116
• Sunnucks, L. O., Levell, N., Shelton, A., Suzuki, M., Isaac, G., y Marsh, D. E. (2020). Interruptions: Challenges and innovations in exhibition-making. Museum Worlds: Advances in Research, 8, 168-187. https://doi.org/10.3167/armw.2020.080112
• Sweetman, R., Hadfield, A., y O'Connor, A. (2020). Material culture, museums, and memory: Experiments in visitor recall and memory. Visitor Studies, 23(1), 18-45. https://doi.org/10.1080/10645578.2020.1731671
• Unruh, L. (2015). Dialogical curating: Towards aboriginal selfrepresentation in museums. Curator: The Museum Journal, 58(1), 77-89. https://doi.org/10.1111/cura.12099
• Viau-Courville, M. (2016). Museums without (scholar-)curators: Exhibition–Making in times of managerial curatorship. Museum International, 68(3-4), 11-32. doi:10.1111/muse.12126
• Wang, Q., y Lei, Y. (2016). Minds on for the wise: Rethinking the contemporary interactive exhibition. Museum Management and Curatorship, 31(4), 331-348. https://doi.org/10.1080/09647775.2016.1173575
• Wrightson, K. R. (2017). The limits of recognition: The spirit sings, canadian museums and the colonial politics of recognition. Museum Anthropology, 40(1), 36-51. https://doi.org/10.1111/muan.12129