Mírame que quiero hablar contigo:visibilidad e interrelación social de la comuidad sorda a través de la acción artística

Resumo

ty and social interrelation of the deaf community through artistic action, proposes a structure essentially divided into two stages. One of them of several years, approximately three years, of preparation, work, research and a series of operations for the scaffolding of what this thesis has to be. The other of structuring, organization and sample of all those processes, results and conclusions that we had reached during the first part described. In them we address this situation of invisibility that they suffer before society. From the analysis of the work with the collective, from telling me over and over what the process, result and conclusions that I had reached during the years of working with them had been, this narrative approach emerges. Who ends up realizing that this investigation needed something more to experience, one more step to give and narrate. Hence the idea of creating a public exhibition with the products arising from the work with APROSOJA, this event seeks to generate a communication circuit with people outside the deaf community, something that currently and, due to the linguistic difference, occurs in a few occasions or not without difficulty, so that in this way society can know the reality of this community and the people that compose it. It could be said that this thesis shows a creative research process, which is narratively constituted. This research process has led me to the format of the exhibition, which seems to solve the visibility problem that worries the community so much. That is to say, it is directed to answer the question, can artistic action serve as a means of visibility and social interrelation of the deaf community with the rest of society?