El arte de la animación selectiva en las series de anime contemporáneas

  1. Horno López, Antonio 1
  1. 1 Universidad de Granada
    info

    Universidad de Granada

    Granada, España

    ROR https://ror.org/04njjy449

Journal:
Con A de animación

ISSN: 2173-3511

Year of publication: 2014

Issue Title: Febrero 2014: Animation. Stop-Motion

Issue: 4

Pages: 84-97

Type: Article

DOI: 10.4995/CAA.2014.2164 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Con A de animación

Abstract

This essay exposes the background reasons and the context where limited animation was originated, a peculiar Japanese technique of saving costs at the production of anime series. Through the analysis of fragments of recent anime TV series, the paper will demonstrate how these economical processes have evolved over the years into what we can call selective animation, which results in a significant improvement in the quality of animation images, becoming the greatest asset for its expansion worldwide.

Bibliographic References

  • ÁLVAREZ, Sara, y LORENZO, María, 2013. “How Computer Re-Animated Hand-Made Processes and Aesthetics for Artistic Animation”, in Animation Studies, Vol. 7, Society for Animation Studies, 2013, pp. 1-12.
  • BENDAZZI, Giannalberto, 2003. Cartoons. 110 años de cine de animación. Madrid: Ocho y Medio.
  • FREDERICK, Jim, 2003. “What’s Right with Japan?” , in Time Asia. Vol. 162, No.6. August 11, Tokio: Time Inc., 2003. http://web.archive.org/web/20100403090055/http://www.time.com/time/asia/2003/cool_japan/story.html [Acceso:septiembre 2013]).
  • GAN, Sheuo Hui, 2008. “The Newly Developed Form of Ganime and its Relation to Selective Animation for Adults in Japan”, in Animation Studies, Vol. 3, Society for Animation Studies, 2008, pp. 6-17.
  • HORNO LÓPEZ, Antonio, 2012. “Controversia sobre el origen del anime. Una nueva perspectiva sobre el primer dibujo animado japonés”, en Con A de Animación, nº 2, Valencia: Universitat Politècnica de València, 2012, pp. 106-118. DOI: http://dx.doi.org/10.4995/caa.2012.1055
  • KINSELLA, Sharon, 2000. Adult Manga: Culture & Power in Contemporary Japanese Society, Honolulú: University of Hawaii Press.
  • LAMARRE, Thomas, 2002. “From animation to anime: drawing movements and moving drawings”, in Japan Forum. Vol.14 (2), Londres: Routledge, 2002, pp. 329-367.
  • LAMARRE, Thomas, “Animación limitadacompleta”, en NAVARRO, A. José (coord.), 2008. Cine de animación japonés, San Sebastián: Semana de Cine Fantástico y de Terror de San Sebastián, pp. 125-142.
  • RODRÍGUEZ DE LEÓN, Rolando José, 2009. Los inicios del cine de animación en Japón, España: Adama Ediciones.
  • SAINT-EXUPÉRY, Antoine de, 1939 [2000]. Tierra de hombres. Barcelona: Ediciones Salamadra.
  • TSUGATA, Noboyuki, 2004. Nihon animeeshon no chikara: Hachijugo-nen no rekishi o tsuranuku futatsu no jiku. NTT Shuppan.
  • TSUGATA, Nobuyuki, “A Bipolar Approach to Understanding the History of Japanese Animation”, en YOKOTA, Masao, y G. HU Tze-yue (eds.), 2013. Japanese Animation East Asian Perspective, Jackson: Univesity Press of Mississippi, pp. 25-33.
Data source: Dialnet