Fashioning Identities and Building an EmpireThomas Gage’s The English-American (1648) and English Puritan Proto-colonialism

  1. Jesús López-Peláez Casellas 1
  1. 1 Universidad de Jaén
    info

    Universidad de Jaén

    Jaén, España

    ROR https://ror.org/0122p5f64

Revista:
Miscelánea: A journal of english and american studies

ISSN: 1137-6368

Año de publicación: 2017

Número: 56

Páginas: 91-106

Tipo: Artículo

Otras publicaciones en: Miscelánea: A journal of english and american studies

Resumen

Thomas Gage, a seventeenth century English priest, traveler, and scholar was the first non-Spanish person to settle in, and travel extensively through, the Spanish Main. After his twelve-year experience as a Dominican in, mostly, Mexico and Guatemala, he returned to England and, after recanting, published his very popular The English-American, his Travail by Sea and Land, or, A New Survey of the West- India’s (1648).The success of this book (which rapidly went through several editions and translations) was mostly due to its coincidence, both in aim and content, with early seventeenth century English colonial ambitions —especially as devised by Oliver Cromwell in his so-called Western Design of 1655— to which it actively contributed. Gage’s successful retrospective construction of himself gained him a relatively influential position in Cromwell’s failed project to replace the Spaniards in the New World. In this paper I will examine how Gage’s insufficiently studied narrative influenced Cromwell’s military project, and will also focus on how this and similar writing produced a number of precarious and self-cancelling identities from which he tried to profit.

Información de financiación

1. Research for this article was partially funded by the Research Group HUM 271 (Consejería de Innovación, Junta de Andalu-cía) and the Universidad de Jaén. I am also deeply grateful to the Folger Shakespeare Institute for a generous fellowship which granted me access, during the Summer of 2016, to many of the primary sources appearing in this article and held at the Folger Shakespeare Library (Washington DC).